Submission 1 Monday 15 March 20% (10% group, 10% individual)
- Team selection, group philosophy and previous DLF project critique.
- Proposed media (eventually web based) and rationale for selection.
- Initial physical/digital experiments illustrating the specific visual qualities and group architectural direction.
- Defined area of individual responsibility (eg physical modeling, 3D printing, programming, electronics, video, web)
- Time management charts showing project tasks and completion dates. Recommendhttp://www.viewpath.com that is updated daily.
Soooo.
Meeting tomorrow after Prof Prac.
In my understanding, essentially we are looking at capturing and communicating the emotive qualities of our experience, using the physical world as a means of expressing those emotive qualities. Are we all on the same page with this? We are looking at the Dolphins as our precedent.
Ben is: working with moving, organic processing code.
Byron M is: Looking at the dolphins visual communication + critiquing. Looking at some 3D scripting.
Cam: Material experiments
Cam: Material experiments
Meredith is: Starting to write. Getting our ideas and themes on paper so we can start refining. Critique the philosophies of the Dolphins
Scott is: Looking at the physical communications of the dolphins and critiquing. start brainstorming of how we could communicate.
Ron: Material experiments
Kevin: Research technologies
Discussing about the architecture. Could the architecture mimic our lifestyle in the virtual?
We are focusing on communication. Exactly what we are communicating is still in discussion. Sharing your emotive experience.
Architecture that grew and could shift. when you are in the virtual world. your needs and desires are communicated to the architecture, so if you desire to be under a peach tree, thats where your architecture would take you. So the next time you come back to the physical, your architecture would have moved you to a peach tree.
Your mental state communicates to your architecture, and the architecture's communicate while we are in the virtual world so that when we come back to the physical, our architectures have gathered together into communities.
Really we are talking about sex. About relationship.
Ben wants to eat each others architecture and have this be a means to communicate emotions.
While we are in the virtual world, our architecture grows. The 'taste' of this growth is based on our mental state in the virtual world. When we come back to the physical, we share this 'taste' with others, and we 'taste' others.
Ron: Material experiments
Kevin: Research technologies
Discussing about the architecture. Could the architecture mimic our lifestyle in the virtual?
We are focusing on communication. Exactly what we are communicating is still in discussion. Sharing your emotive experience.
Architecture that grew and could shift. when you are in the virtual world. your needs and desires are communicated to the architecture, so if you desire to be under a peach tree, thats where your architecture would take you. So the next time you come back to the physical, your architecture would have moved you to a peach tree.
Your mental state communicates to your architecture, and the architecture's communicate while we are in the virtual world so that when we come back to the physical, our architectures have gathered together into communities.
Really we are talking about sex. About relationship.
Ben wants to eat each others architecture and have this be a means to communicate emotions.
While we are in the virtual world, our architecture grows. The 'taste' of this growth is based on our mental state in the virtual world. When we come back to the physical, we share this 'taste' with others, and we 'taste' others.
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